So, what is it about this Bandicoot track that makes it ‘everything I need’? At the time of writing, it’s had 310 listens. At least twenty of those are me (it’s actually becoming a bit of a problem…)
I’ve often said that I enjoy music that makes me feel like I want to conduct it. I don’t mean I wish to change anything, but that everything seems to be placed so carefully, just where I would have wanted it put, as if the orchestration itself is being treated like an instrument played with feeling. That’s what’s happening here. I’d say that’s the X factor…but I don’t want to confuse things with the TV show.
Orchestration isn’t about regularising the life out of something. You can write notes on a page if you like, but it’s not mandatory. The magic happens when you’re all contributing to the same score, to make one that becomes far more than the sum of its parts. It doesn’t have to be on a piece of paper. The way it builds, the way it weaves, the way it layers. If this track isn’t an epitome, it’s pretty bloomin’ close.